Liverpool Biennial
Through a discreet intervention at the entrance to the Liverpool Anglican Cathedral, a sharp active process of reflection on space and social codes of signage. The two lamps located at the entrance to the Cathedral, elements that serve a utilitarian and decorative at the same time, have been transformed into objects of symbolic and aesthetic impact. The common lighting lights have been replaced by blue lights, similar to those used by British police cars and other emergency vehicles. This simple change causes the viewer a feeling of alarm or distress associated with the psychological impact of a visual code present in the everyday functioning of society.
Bringing new meaning to the phrase cult of the celebrity, the new work entitled As-salam wal Hub after the Arabic for 'Peace and love' saw her remake a small army of volunteers in the image of a man l...
Mark is one of the collectors featured in the exhibition 'A Private Affair: Personal Collections of Contemporary Art' at the Harris Museum & Art Gallery, Preston, 25 January - 5 May 2012. The e...
Meet the artists behind the work on dot-art.com in this series of videos, designed to give you an insight into their working processes, inspiration and backgrounds. In this episode we meet Clare Ellis...
Recording of Oliver Braid's Artist Tak at The Royal Standard on 3/3/12
Take a look behind the scenes of the judging for John Moores 2012 - the UK's biggest painting prize - including an interview with Turner-nominated artist George Shaw. Find out more about the John M...
